Gene Clark - No Other

Deluxe Newspaper is proud to present a very special appraisal of an iconic album and a thrilling reissue.

Our 2019 reissue of the year is the long overdue appraisal of Gene Clark’s 1974 masterpiece No Other. Released on the eve of what would have been American singer- songwriter and Byrds founding member Gene Clark’s 75th birthday, this version has been remastered from the original tapes, and the results are spectacular. Originally released on Asylum Records - a year after the Byrds’ short-lived reunion - Clark put his everything into actualising the grandeur he could hear, an album of psychedelic rock, folk, country and soul.

It famously cost a small fortune to make and although warmly received by critics, it flopped and was soon deleted, a failure that Clark never came to terms with. He rightly considered it his masterwork, a seamless blend of American music with the richest tapestry of timbres and, most importantly, a brilliant set of songs. The guitars jangle and strut, the rhythm section are as adept with pastoral country as they are funk and soul, the backing singers swell and oat around Clark - who sounds vocally effervescent - and track for track, it has the sort of indescribable vibe that makes a classic album glow. A damn shame that it took 45 years for everyone to come around, but the good ones always remain the good ones, and revisiting this one reaffirms Clark’s belief. A beautiful edition full of notes, photographs and musical addendums that highlight just what an incredible record it is, certainly one that should never have been forgotten for so long.

As part of Sea Change Goes Online, we were so honoured to broadcast a special cut of Jack and Paul Kendall’s ‘The Byrd Who Flew Alone: The Making of No Other’. An amazing documentary with previously unseen interview footage.

The Byrds frontman’s deliriously opulent solo work was misunderstood upon release, but this lavish repackaging restores a spiritual singer-songwriter classic.
— Pitchfork [9.3]
Photo: John Dietrich

Photo: John Dietrich

Stream ‘No Other’

 

Merch

+ The last copies of the full documentary on DVD are available to buy from Four Suns productions. [Shop Now]
+ Buy ‘No Other’ at Drift Records [Shop Now]

Penny Rimbaud

As part of the online edition, we are delighted to have Penny Rimbaud create a playlist of inspiring music to raise weary bones and inspire fuzzy minds.

Rather than writing notes to each track, I have chosen in a paragraph to express the overall essence that I feel is common to them
— Penny Rimbaud

It’s a transcendental set, 76 minutes of inspiring music for troubling times. Penny explained the choices;

“In one way or another, all of the selected tracks below describe what I call ‘the scream of life’; a universal force that in its rawness and sometimes brutal honesty tears open heart and soul. These are unarguably demands that the power of love be recognised and engaged with and, in that sense, they cry out in one and the same voice. Likewise, these are all maps, maps to a better world and the very root of peace. Entertaining they are not, at least if they are found to be entertaining, then the point has been somewhat lost. Like the tree bending to the wind, we are unwittingly fashioned by the sounds that we listen to, then why be demeaned by the bleak hollowness of commercial pop? We are not ephemera, we are the body of life; I believe that these tracks nourish that body.”

Info

+ Stream the playlist direct on Spotify [Stream]
+ 20 tracks, 2 hours, 5 minutes

Merch

+ Pre order Christ's Reality Asylum at Drift Records [Shop Now]

Playlist;

Go Deeper

+ Enjoy Davy Reed’s excellent feature ‘Freedom Fighting’ on the Crack Magazine website. [Read More]

Rob Chapman

Syd Barrett: A Very Irregular Head

Rob Chapman’s book ‘A Very Irregular Head’ was the first authoritative and exhaustively researched biography of Syd Barrett that fully celebrates his life and legacy. We’d been trying to find opportunity to welcome him to Devon and Sea Change for ages, we had no idea that his debut would be via twitter… But these are days we’re living in.

Rob has prepared us a special playlist that you can stream now, he’ll also be on Twitter between 2pm and 3pm to take your questions about Syd and psychedelia.

Info

+ Follow Rob on Twitter @rcscribbler
+ Tag your questions #SC20AskRob
+ Stream the playlist direct on Spotify [Stream]
+ 31 tracks, 1 hour, 57 minutes

Myths grew up about the drugged antics of Pink Floyd’s Syd Barrett. The reality was far more poignant.
— The Guardian

Go Deeper

‘A Very Irregular Head’, Sean O'Hagan in The Guardian.

Rob Chapman

Join the Conversation…

Jon Savage


This Searing Light, the Sun and Everything Else: Joy Division – the Oral History.

Joy Division

From 1976 to 1980, Joy Division recorded a total of 53 songs. Forty years on their continued impact on music and popular culture remains as strong as ever. Jon Savage’s book ‘This Searing Light, the Sun and Everything Else’ is the most comprehensive and insightful document on the band and their influence.

Jon will be joining us for a session on Twitter at 2pm on Sunday 26th to take your questions about his critically acclaimed book.

Info

+ Follow @JonSavage1966 on Twitter
+ Tag #SC20AskJon to join the conversation

Merch

+ Buy ‘This Searing Light…’ at Rough Trade [Shop Now]

Go Deeper

+ Why Joy Division? Henry Rollins examines Jon Savage’s oral history of the post-punk band - La Times [Read More]

+ The Birth of Joy Division - Rolling Stone [Read More]

+ ‘Something about Joy Division transcends their time and place’ - The Guardian [Read More]

Photos by Hermann Vaske.
From Kant Kino, Berlin, January 1980. 

Join the Conversation…

 

Tod Only Knows

Tod Only Knows are a loose collective who play records mainly in The Golden Lion and House des Löwe up in the Calder Valley outpost and UFO-hotspot of Todmorden (that's up north to you and me). The perfect hosts then for our isolated late night shenanigans.

They mix up the far out sounds - frazzled psych-rock, outsider tronics, fringe funk, Vest Coat folk, various strands of odd pop and everything else in between. Musica from every corner of the globe... and sometimes further a field.

It’s our second sonic trip to Todmorden today and - it has to be said - nearly four hours of immaculate selections. A proper trip. You need a pint.

Info

+ Three hours and forty minutes.
+ You can stream the playlist now on this page and directly on our Mixcloud page.

Tod Only Knows - Sea Change 2020

 

February Montaine's

Sophisticated Emotional Technology

In 2019, we were delighted to welcome Sam Potter of Late of the Pier to Sea Change to talk about his ongoing project discovering and promoting the work of February Montaine. For our digital debut, Sam joins us again to present Welcome to Sophisticated Emotional Technology, a look into the ideas of outsider artist February Montaine.

Hosted by Sam Potter, best spelling author of Ecstatic Data Sets, this first episode is about using sound to investigate reality.

Featuring NASA alumni Dr Kelly Snook and Robert Alexander.
All music written by February Montaine and performed in the bath by Sam and his friends Peter Magnüm and Mr Silla (of Múm).

Many thanks to February's family and Rachael for her production support.

Merch

+ Ecstatic Data Sets - a manual for a music-making machine of the near future - is available from Rough Trade Books. [Shop Now]

+ The “Mount Nod” 12” will be released in June 2020 on the fantastic Be With Records, you can preorder it now. [Shop Now]

Go Deeper

+ “Origins” podcast at Sea Change 2019 [Stream]
+ Piecing together the work February Montaine left behind. [Read more]

February Montaine
 

Watch Part One

 

Watch Part Two

 
 

Tim’s Twitter Listening Party

On Sunday 26th April, we were thrilled to have Tim Burgess joining us at Sea Change Goes Online for a special double length offering of his utterly amazing #timstwitterlisteningparty

We played;

The Breeders - "Last Splash"
@thebreeders / @josephinewiggs / @kelleydeal / @mark_freegard / @4adofficial

Midlake - "The Trials of Van Occupanther"
@MidlakeBand / @twomedicineband / @TimSmith_Harp / @McKDeezy / @Nichels / @ebtheyounger

Metronomy - "Pip Paine (Pay the £5000 You Owe)"
@metronomy

Gwenno - "Le Kov"
@gwennosaunders
@gorwelowen

Ren Harvieu - "Revel In The Drama”
@renharvieu

Plus a couple of bangin’ DJ sets from Tim Burgess himself.

Info

It’s all gloriously easy! You ether drop the needly, click the stream or push the play button and listen along live, watching the conversation unfold live below or on Twitter. Scroll down to listen again anytime.

Tim's Twitter Listening Party

Listen Again

You can now replay the sessions ANYTIME with the time warp feature on Tim’s site. Click the buttons below and get ready to listen again and watch the conversation unfold in real time…

Go Deeper

+ “My Twitter listening parties are like gigs - but nobody nicks your beer” - The Guardian

+ “The Charlatans’ Tim Burgess has found a novel way to celebrate classic and current albums amid quarantining” - Rolling Stone


Join the conversation…

Matthew Shaw

Composer, musician, and artist Matthew Shaw has been releasing music since 2000 under his own name and as Tex La Homa, as well as with a variety of collaborations. As part of Sea Change Goes Online, we challenged him to create two short pieces with the Mute Synth 4.0.

He explains;

When It became clear that sea Change couldn’t take place in the physical world this year at first it was a real disappointment. Rarely a day goes by that Rupert and I aren’t on the phone coming up with ideas and suggestions of what else might work for the festival. Helping with High Cross House last year and playing in a version of The Pop Group was a unique experience, so how would it be possible to bring some of this to life using an online approach. Of course Rupert, Rough Trade Books and all of the artists and labels have gone beyond a simple live stream or one idea of what this could be, creating something truly festival like in a slightly surreal kind of way.

Here are two pieces of music I made this last couple of weeks that seemed right to be heard first and exclusively at Sea Change. Playing The Normal, Fad Gadget and Silicon Teens the same week has definitely rubbed off in the sound of these tracks. Not only did the early Mute 7”s get into my head, to make things more interesting I decided to create the music using only the Mute 4.0 synth. So here they are, two tracks from myself and the Mute 4.0


Info

+ www.matthewshaw.org

Merch

Visit Matthews Bandcamp. [Shop Now]

Matthew Shaw

Part One

Part Two


 

Mute 4.0 Synth
The new Mute / Dirty Electronics MUTE 4.0 SYNTH is a synth with inputs, a digital wavetable synthesiser, an analogue noise circuit, and programmable sequencer. These features can all be combined in an environment to experiment with sound. Being hand-held, battery-powered and with headphone and line out, the synth is ideal for music making on the move as well as in the studio. At a turn of a knob and press of a button, sequences, control voltages, and cut-up loops can be programmed; or listen to the Voltage Collection by Dirty Electronics.

Mute 4.0 Synth
 

Dan Carey - “Sea Change”


We're so very proud that producer Dan Carey (one of the main heads at the amazing Speedy Wunderground label too!) has recorded us a special ambient piece titled "Sea Change" to commemorate the 'Goes Online' weekend.

I went for a walk in the park and recorded some birds and used them. The jet is an old recording obviously, but I though it offsets the birds nicely.
— Dan Carey

 

Erland Cooper: Feather - A continuous tape loop audio installation.

FEATHER

A Continuous Tape Loop Audio Installation (Feat Dara McAnulty).

Produced, composed and arranged by Erland Cooper, in collaboration with and featuring Dara McAnulty Thanks to Wolfgang Buttress for his time, wisdom and the use of his studio.

A work of audio art
— Mary Anne Hobbs

Info

1. This installation aims to create a calm space to reflect more deeply about our relationship with the outside world.

2. 4 separate tape loops are running simultaneously on a 3 minute continuous loop or cycle which makes up the composition.

3. Audio for each layer is projected into the room through internal speakers on each of the tape machines.

Merch

+ Erland Cooper releases the third and final album in his trilogy on 29 May via Phases. Buy Hether Blether from Drift Records [Shop Now]

+ Words & Spoken word by Dara McAnulty: 15 year old autistic naturalist, activist & writer Debut book 'Diary of a Young Naturalist' out May 25 2020 on Little Toller. [Shop Now]

This book is very pertinent. It’s a diary but essentially timeless. It’s about enduring, it’s about passion, beauty and connection. It’s really, really special.
— Chris Packham
 

Watch Now

 
 

The Orielles

An influences party

Photo: Aubrey Simpson

Photo: Aubrey Simpson

Here is a collection of songs we have been listening to during quarantine and have been inspiring our lock-down writing!

Info

+ Follow @TheOrielles on Twitter
+ Tag your questions with #SC20AskOrielles

Merch

+ Buy Disco Volador direct from the band. [Shop Now]
+ Buy Disco Volador from Drift Records. [Shop Now]


Join the conversation…

Heavenly Jukebox

Dancing to the Heavenly Jukebox Hits, before the plug gets pulled…

All danced out at The Goodlife Festival Credit: Danny Mitchell

All danced out at The Goodlife Festival
Credit: Danny Mitchell

Stream the playlist here: drft.tips/HVNLY

After I started work at Heavenly, music festivals took on a whole new meaning. My focus went beyond headliners and clash-finders, and instead my life in summer became a string of weekends each promising the welcoming arms of an extended family and hours of dancing.

Unlike my Heavenly peers, I don’t DJ – it’s too much like learning to drive which, if you can’t tell your left from right like me, is incredibly difficult. But I can’t get enough of dancing to the music played by the Heavenly Jukebox crew, and when we’re out in the fields and under the stars, with friends who thrive in the same environment, the freedom and the joy reaches dizzy new heights.

So – among all the other adjustments and all the anger, fear and frustration of lockdown – having a whole summer of those valuable experiences cancelled has been hard. Music, as it is for many of you, is a constant in my life, and that’s where I turned for help. I dived straight into old playlists and rooted around my most-Shazamed tracks to find memories of summers gone by. I wrote down my Heavenly Jukebox hits and sent them in a letter to Jeff with no context. Looking back now this seems like quite an odd thing to do, but it provided me with a great deal of solace. Making lists, gathering memories, can help in desperate times.

You probably know that the Heavenly mantra, “Believe in magic”, comes from the Lovin’ Spoonful song, and that song also includes another line: “The magic’s in the music and the music’s in me.” The songs on this playlist are full of magic, and I carry each one of them in my heart, dancing along with the Heavenly Jukebox every summer.


In the face of all this uncertainty, I’m not sure I could manage without the sounds of the Heavenly Jukebox, one constant that keeps on keepin’ on. Listening to these songs, I recalled each memory that comes with them at festivals: overdoing it on the first night in the cricket clubhouse at Sea Change clapping along to the recently discovered alternate mix of Marvin Gaye’s Where Are We Going?; feeling the rain on my cheeks in Green Man’s walled garden stood next to a handful of other sodding wet dancers to the Green Door All-Stars’ Come With Me jostling together backstage at The Stonebridge Bar at Glastonbury. Each time and place has its own tunes, played beneath the Jukebox umbrella by Jeff, Danny, Carl, Daisy or Diva. No matter what’s going down in the fields, the Jukebox always calls to me, and to others too. I’m looking at you, Nina, Sophie, Neal and Pauline, Tony, Suna, Snake-hips Harvey. Gill with her gin, James and his mad hair, Olive and Webster, reluctant dancer but a great poet Will Burns, the Parker family and so many other smiling faces. (I miss you all.)

One really vivid Heavenly Jukebox moment was the Sunday night at Port Eliot in 2018. I’m not saying my friends are better than yours (they are!) but when all the half-arsed festival dwellers head home on Sunday afternoon and only the hardcore are left behind, the party really does take on another meaning and the Jukebox has a whole life of its own. When our main Heavenly man Jeff played the first track in the CBTR bar by the river Tiddy that night, all those aches and pains from evenings gone by dispersed (until sometime in the early hours, when the power finally got cut off). For six hours we danced, moving and grooving between benches and chairs, talking, hugging, falling and laughing, believing in magic. That night’s set closed with John Gary Williams’s The Whole Damn World Is Going Crazy and it makes me weep, how true that is, and that we can’t all dance to it again, together, right now.

x

Katherine and Nina

Words: Katherine Cantwell

Katherine would like to thank Anna Wood for kindly editing her enthusiastic rambles into something that makes sense.

Stream the playlist here: drft.tips/HVNLY